Ori Aviram: the genesis of a visionary
Ori Aviram, born in 1965 in Jerusalem, Israel, embarked on his artistic journey in an unconventional way. His initial encounter with art was not immediate, but gradual, beginning during a brief stay in London in 1982. The National Gallery, with its wide range of masterpieces, played a pivotal role in awakening Aviram’s passion for the painting. However, it was not until later in his life that he fully embraced this calling. This slow-burning inspiration was unlike the typical lightning bolt of artistic epiphanies, and highlights the unique path Aviram took on his path to becoming an artist.
The artist’s formative years were marked by exploration and experimentation. During his military service, Aviram found solace and expression in sculpture, particularly portraits. This period was crucial in consolidating his decision to dedicate himself to art professionally. However, it was not until 1999, after years of working in advertising and television program production, that Ori Aviram held his first exhibition as a sculptor. This marked a significant change in his life, taking him away from the commercial world and toward a more creative and fulfilling path. The exhibition was not only a display of his work but a declaration of his new identity as an artist.
Ori Aviram: the evolution of an artist
Ori Aviram’s artistic journey took a dramatic turn after his initial exposure. The move from sculpture to painting was not just a change of medium, but a deeper transition in her creative expression. His second exhibition in 2000, with oil paintings, was a testament to this evolution. Aviram quickly realized that painting, particularly oil on canvas, was where her true passion and talent lay. This revelation was crucial in defining her future work and artistic direction. The transition showcased her versatility and willingness to explore different facets of art, further enriching her growing portfolio.
This evolution was deeply influenced by Aviram’s first encounter with painting at the National Gallery in London. This experience shaped his conception of art, leading him to draw inspiration from various sources such as the Bible and Greek mythology. His journey through the history of painting, culminating in an interest in abstract art, reflects a deep commitment to the various movements and styles that have influenced the art world over the centuries. This historical and thematic diversity in his inspirations underscores Aviram’s depth as an artist and his ability to synthesize a wide range of influences into a coherent artistic vision.
The artist’s philosophy: Ori Aviram on inspiration and style
For Ori Aviram, becoming an artist was not the result of a singular moment of inspiration, but rather a gradual and multifaceted process. Her artistic inclination was nourished by various influences, starting with a bohemian painter who was a friend of his father. This individual, radically different from Aviram’s background, provided a thought-provoking contrast and sparked her interest in the arts. As she met more people immersed in the art world, including a friend who pursued his artistic studies and another who became a sculptor, her own artistic identity began to take shape. These experiences, along with her transformative time at the National Gallery in London and his sculpture during military service, laid the foundations for Aviram’s artistic journey.
This trip took a decisive turn after an important personal event: his divorce and subsequent departure from his producing career. It was in 1999, with the presentation of his first exhibition, that Aviram truly embraced his artistic identity. This turning point meant more than a career change; It was a profound change in the direction of his life, marking the beginning of a dedicated pursuit of artistic expression. In his art, Aviram oscillates between figurative and abstract expressionism, embodying a dynamic and constantly evolving style. He identifies as a colorist, an aspect evident in his varied themes that range from biblical and mythological narratives to urban landscapes and organic abstracts. The Circle, a motif that has captivated him in recent years, means his continuous exploration within the abstract realm.
Ori Aviram: Influences and Milestones
Ori Aviram’s artistic influences are as diverse as his styles. She draws inspiration from a spectrum of artists, beginning with Ivan Schwebel, an American-Israeli painter whose works likely resonated with Aviram’s own cultural and geographic environment. The influence of Jean-Philippe-Arthur Dubuffet suggests Aviram’s appreciation for art that challenges conventional aesthetics, while the inclusion of Diego Rodríguez de Silva y Velázquez hints at a reverence for classical artistry. However, it was Kazimir Malevich, particularly his iconic “Black Square,” who profoundly impacted Aviram’s artistic career, sparking her interest in abstract painting. This piece, for Aviram, symbolizes a crucial moment in the history of art and represents a significant change in the understanding of painting and its social role.
Aviram’s journey into abstract art was not just about embracing a style, but also delving into its historical and philosophical depths. He considers Malevich not only an important figure in abstract art but also a co-founder of the movement, attributing to him an influence comparable to that of the Renaissance on painting. This admiration was so deep that in 2014 Aviram planned an exhibition to commemorate the centenary of Malevich’s “0.10” exhibition. However, a revealing conversation with an art historian caused him to reconsider his understanding of Malevich’s work, particularly the religious aspects of it. This led him to make the significant, if discouraging, decision to abandon his planned exhibition. However, in this setback, Aviram found a new direction and channeled his energy to create hundreds of circles, a shape that has since become fundamental to his work. This episode exemplifies Aviram’s commitment to continuous learning and adaptation, key traits that have defined his artistic career.